Model Test, Anna Z @ Scene in Sydney

A very simple studio & location model test. Anna did her own hair & make-up. The gown is by Anna's friend Anna Shin.











I am quite keen on doing these simple tests as time allows in 2010. Its great to just try out ideas, poses and techniques without needing to put together a big team. And the shots still look great! Shot at and around The Photo Studio Sydney.

Fashion & Beauty Photography, In The Studio

My first full 'Fashion & Beauty' story photographed in the studio.











Photography, Kent Johnson
Hair & Make Up, lisa Sciberras using MAC Cosmetics
Stylist, Lucinda Petroeschevsky-Mayer
Photography Assistant, Harry Perlich
Models,
Adele Thiel
Stacey Monaghan @ Chadwicks
Hats by Helen Kaminski
Shot at The Photo Studio


Adele Thiel

Dress's by Lulu in Chains
Green BG. Reckless White, With Vintage Helen Kaminski Hat
Blue BG. endless Fascination, Zatana Hat
Red BG. Undaunted, Liana Hat

Stacey Monaghan

Red/Brown BG, Silk Dress by Sami and Sita, Brella Hat
Pink BG. French Silk Chiffon Top by Sylvia Chan. Brown Hat, Aldo. Black Hat, Jobi

www.chadwickmodels.com/
www.helenkaminski.com/
www.sylviachan.com.au/
www.samiandsita.com/
www.luluinchains.com/
www.kentjohnsonphotography.com.au/

Fashion & Portraits.

Is there a Fashion Photographer worth their salt who does not do a pretty good line in Portrait Photography too? I think not, fashion, people and portraits do have a lot in common even though the purpose of fashion pictures is quite different to portraiture. I think the common denominator is understanding your subject and getting to the core of the matter at hand be it the sitters personality or the form of a gorgeous dress or gown.



I met the artist Elodie Silberstein at an opening a few months ago and then attended the opening of her show ‘Mothers Day’ at Mori Gallery a few weeks later. I had no idea what the show was going to be about or what form it would take so you can imagine my surprise when I found it was an instillation piece; a massive space full of pink light, shoes arranged on shelves along one wall, a beautiful ‘model’ writhing (ever so slowly) in the middle of the floor in ‘mothers shoes’ and in very large type on another wall, a letter to a mother, quite some time deceased! Well it wasn’t Silence of the Lambs but it was a little disturbing and exciting at the same time. And those shoes! Beautiful shoes all lined up, and that pair strapped to the model/hostage, well you get the idea.

Fast forward to Now; Elodie has come to the studio for me to take her portrait before a trip to France & the UK to see Galleries about her work. Elodie was a little nervous about having her portrait done but quite likes my work and had put her trust in me. I wanted the portrait to reflect her use of space and to somehow reflect her artistic interest in shoes; all bundled up into one shot.



We agreed that B&W would be nice and I started shooting with bits of studio equipment in shot, chatting about space and shoes and motivation for making art. After getting the shots out of the camera and looking through them on the computer we both felt we had some pretty good pictures and were pretty happy. But I thought maybe we should take just a few more frames; just to be sure.

I found Elodie a stool and then gave her the copy of Vogue Italia with the beautiful Ferragamo gatefold brochure spilling out of it that we had been admiring before the shoot; “Here, why not just hold this, we love these shoes!”



I think the last shots turned out the best. After looking through the first set we could see that we had some lovely shots and Elodie could see that the portraits were just what she wanted, so now we were much more relaxed and trusting and the final pictures bring out all of that as well.



You can see more of Elodie’s work on her website here, and you can also see more of my portrait photography here. Click the images to see them by themselves.

We don't work we Play.

When asked how he and his design studio managed to remain so innovative, design guru Philippe Starck replied, “We don't work we Play”. I love this quote from Starck, its in perfect alignment with behavioral psychologists beliefs that innovation & creativity is more likely to spring forth from a relaxed state of mind. Its also highly reminiscent of the old saying, “All work and no play makes Jack a dull boy”. And no one wants dull work now do they.

Of course when working on an assignment and delivering to a deadline a relaxed and playful frame of mind may be hard to come by so thank goodness we already know what we are doing!



But what do you do when you want to come up with new ideas?

I can't say I am a big fan of the 'think outside the box' concept. If you ask me, trying to think outside the box just won't work. You need to be outside of it to do that. How do you get there, outside of the box? Better to forget the box altogether and just Play!



A couple of weeks ago I decided I just wanted to play around with the studio lighting. I didn't have a specific outcome in mind. I just wanted to see if I could try some different set-ups & see what I could get. I also had a new Hair & Make-Up (H&MU) artist I wanted to try out; Kate Bonar, so that meant I needed a model too.



Of course once you have a model and a H&MU you start to find yourself in a situation where you have an obligation to deliver. Now there is nothing wrong with that, delivering great photography is my job. But I just wanted to 'Play' (and not worry about delivering too much). I started casting around for someone that might just be happy to spend an afternoon in the studio in like-minded fashion, happy to play with ideas and see what we could come up with. Fortunately an email from another H&MU artist popped into my in-box. Cool; its always nice to find a new H&MU & at the end of the email this H&MU just happens to mention she is also an agency model. I checked her profile (could possibly use some more shots...) & gave her a call. One model booked along with a promise of a H&MU test soon.



We started at three in the afternoon and ran through until a little after eight. Together we played around with three different light set-ups and a few styling changes on the model, Kate gave us two different H&MU looks to go with the styling changes.In the end we had a rather nice clutch of pictures from four distinct shots including a new head/beauty shot for Angela & Kate. And I now had some new lighting set-ups I knew I could safely work with on future projects; a lovely new H&MU who clearly knows her stuff & another H&MU in waiting.

Having been reasonably busy shooting look books of late, the next day at the studio I cheekily remarked that I didn't know I could (still) do four shots in four hours, I thought I could only do 44!

Playing in the studio turned out not only to be a great way to find new lighting set-ups, it also turned out to be a great way to recharge the creative batteries too. And what better way to recharge than doing what you love. Making pictures.

All images shot at 'The Photo Studio' Sydney.
H&MU Kate Bonar
Model, Angela Thomas at Scene
Assisted by Harry Perlich.

 

Editorial Fashion, Fashion Advertising & Model Folios Too.

Well I may have already blogged some of the shots from various shoots over the last few months but the Web site itself was looking a little tired and in need of some new images. For the last four days I have been working on editing, re-processing, re-sizing, re-ordering and finally replacing quite a lot of pictures on the Fashion Pages of the web site.



Its always a daunting task but one that is very worthwhile. Both the Fashion Editorial and Fashion Advertising galleries on the website have never looked better and are showing my vision for fashion photography much more clearly.

There are a couple of projects that have been in the planing stages for quite a while that are about to 'come off' so now is a good time to check out the web site before some of the old favorites disappear back into the archive.



The Beauty Photography gallery has had a bit of a make over with some lovely new images that have not been on the site or the Blog before. I have also added some of the Notorious; yes these shots do seem to be gaining some notoriety... Frankie's Nightclub Campsie shots. For those of you who are not aware, there is no Frankie's! So please, stop emailing me for the address :~)) Its an Art Project, a kind of myspace thing, but there will be more about that later. Frankie's lovers might like to check out the Modelling Portfolios pages; just because you can.



So if you have only been following the blog, please click the links and take a tour of the site, there is much more wonderful photography to be seen. And of course; the whole point of the exercise is to entice you to commission me to shoot your Fashion for you. Great shots make for great web-sites, catalogues, look-books, promotions and lots of sales!

Please call or email for a quote.

Kent Johnson

Sydney Australia 0433 796 863, kent@artcommunication.com.au

Portraits and Headshots

What is the difference between a Portrait and a Headshot? Who gets a headshot and who gets a portrait? Is it just actors and models who get headshots? Should the shot be in classic black and white; colour; studio or location?

“If I want to look like a model or an actor can I get a headshot instead of a portrait too?”

Of course you can! A headshot is still a portrait but it’s usually a portrait photograph taken for a very specific purpose. For an model, actor or performer it’s a selling tool for their agent, just like actors models have composite, or ‘comp cards’ too. The comp card shows what someone looks like in a well lit and often in a fairly natural way. Actors may only have one shot on their card while models will have quite a few. The models comp will have their main headshot on the front and a collection of different shots on the back highlighting their different looks.



Of course Models are beautiful and Actors are handsome (or something like that); a good headshot or portrait should bring out your beauty or your handsomeness too. I have found very few subjects who did not look great in a well executed portrait or headshot. It seems to be all about making sure you are relaxed in front of the camera. As a photographer it seems I am lucky enough to possess the skills required to get most people quite relaxed and happy about being photographed most of the time.




Its quite exciting and rewarding when having done a portrait the sitter is presented with an image that matches their inner vision of themselves. Its not about turning someone into someone else its all about bring out their best. People photography is far more than camera technique it is also about how you work with people, the psychology of the shoot! In our myspace facebook world everyone wants to know what you look like so why not look as glamorous as a Model an Actor or even a little Rock and Roll. Why not look like a Star in shots that truly bring out your best.

Fashion Modelling & Models Portfolios

If you want to model at some point in time you are going to need a portfolio. The models portfolio along with their comp card is the fashion worlds equivalent of a CV or Resume. The portfolio gets you noticed, it lets Photographers, Fashion Editors and Art Directors know what you look like. Your portfolio lets people know who you are and what you can do.

If you are new to modelling you will need the basic folio shots. The basic shots really do show what you look like. It’s a very important step getting these pictures that show you as these first pictures will show photographers what you are like. They can be studio photographs or location and they are probably not going to be the most exciting pictures in your portfolio but they are important, they are the first step in getting you noticed.



These photographs need to be clean and clear, show your hight, your body type, your face and your hair. What you look like! Of course once you have these shots in your portfolio it won’t be long before you start adding to your ‘book’ with more creative images. You will start ‘testing’ with photographers who are trying out ideas for there own portfolio. This is often done as a trade in your time for the photographers and make up artists time, you will probably even have a stylist providing the latest fashion for the shoot.



Location or Studio?
That is probably going to be up to the photographer but your first professional portfolio shoot will most likely be done in the studio. Studio photography has the distinct advantage of not needing to worry about the weather; the shoot will be on rain or shine. When it comes to the more creative tests it could be either. As your portfolio grows you will accumulate a variety of studio and location shots and as the jobs are published you will be putting the magazine pages, ‘tear sheets’ in your folio too.